Friday, April 03, 2020

Behind the MusiK...
Post #3 - Synyrgyze!

Behind the MusiK... 
Post #3 - Synyrgyze!

The audio files and graphics for my debut cd Ascend had just been sent off to the manufacturer. Excitement was in the air anticipating the official release of this first cd.

Wait time between the actual submission and shipment arrival is roughly about 3 weeks to a month. During the wait, release concerts were being planned, our new company JavaMusiK was undergoing it's genesis and pre-orders for cd's were being taken. Needless to say, we were anxious for the proverbial wheels to hit the ground.

In addition, during that time, a new song arrived.. We were still living in Swea City, a small town in northern Iowa. I had recently accepted a job offer to return to teaching in Colorado, so we knew we'd be packing up and moving in short order. First, there would be the release of Ascend with 2 cd release concerts - one in the community we had been living (Swea City, IA), and the other in the community where I was raised (Oskaloosa, IA).


The arrival of this new song came about as a theme that became an earworm in my mind. It wouldn't stop. During some down time, I sequestered myself on a Saturday afternoon to the sanctuary piano in the church we had been attending. Sitting alone at that piano, I began to play the theme I had been hearing for some time. It is the main verse theme that takes place immediately following the intro.

As I began to proceed during this session, the melodies seemed to just flow out. It was as if the song was already composed and I was just learning what comes next, section by section. Within the hour, the song was complete.

Unfortunately, the song didn't arrive in time to make it on the first cd release, Ascend. It would have to wait four years for the second release, Bending Chords. But, I did begin to play it at concerts which helped work the bugs out and evolve into a flow.

My first two concerts took place at churches in Swea City & Oskaloosa, IA. I was honored to have my father, who had taught previously in Swea City - and used to attend this church - and was presently a member at the church in Oskaloosa, introduce me at the beginning of both these shows. He was a great speaker, knew how to really get the audience excited to welcome me. This was a memorable way for me to kick off this whole venture that has continued to the present.

So, three and a half years passed. New songs got written, the move took place and life was moving forward. The year was 2002. The time seemed ripe to get into a studio and record a follow-up to Ascend. Having played live in a few places throughout the western Roaring Fork and Colorado River valleys in promotion of Ascend, one of the places I played was a B&N bookstore in Grand Junction. While I was packing up, upon finishing, someone came up who had been listening and spending some time on his cell phone (w/ a studio associate, I later learned). We talked and he shared he had a studio and production company in town. Would I be interested in visiting his studio? Absolutely! His name was John Malvey.

Two or three months later, we began our sessions and John was awesome to work with. So many great things I can say about working with him. When it came to Synyrgyze!, John's contributions were priceless. The guitar solo added so much punch to the song, along with the percussion and overall instrumentation arrangement. The whole album was like that - John had an ear and demeanor that helped take your music to the next level.

Finally, the second cd Bending Chords was recorded, graphics added and order placed. We sent my parents a copy of the pre-release. They listened. Next time I spoke with them, my father asked me to guess which song he liked best. I went through several selection titles before finally landing on Synyrgyze! He surprised me with this choice. One of the things he particularly liked about it was it was uptempo.

After releasing Ascend, it quickly became apparent that, while uplifting, the general tone of the cd was all mid to down-tempo. Nothing there that picked up the tempo any. A nice listen overall. But nothing that would wake you from your nap should you drift off. So, a conscious effort became part of the equation to pick things up a bit, at least part of the time, on the follow-up release. I don't remember Synyrgyze! being part of that conscious effort, but it definitely fit the bill. I was proud to finally have a song that could be considered more on the uptempo genre.

Any time I play Synyrgyze! in concert, I dedicate it to the memory of my father who, along with my mother, paid for and supported my piano lessons and growth as a musician. I miss him dearly.


Synyrgyze! on Spotify

Stream Synyrgyze! on ReverbNation

Synyrgyze! on Apple Music

Synyrgyze! on Amazon

Synyrgyze! on Google Play Music

Tuesday, March 24, 2020

Behind the MusiK...
Post #2 - Awakenings (The Awakening)


Behind the MusiK... 
Post #2 - Awakenings (The Awakening)

The story begins January 1981. I was a college freshman. The class was Music Theory - second semester. I was about to embark on my first venture into music composition of a full piece of music. I had actually dabbled previously with a theme from a piece of music I was fascinated with. The piece opened with that theme but evolved into another direction. If you asked me to play it today, I wouldn't be able to get very far, as it has mostly faded from memory. This, however, was the song that would wind up being my first official composition. 

The challenge was laid out by our Music Theory professor. We had one week to compose a song in the style of Johann Sebastian Bach. 

The previous semester had been spent learning about unique stylings of Western music, established primarily by the compositional techniques of JS Bach. Parallel fifths are a no-no. The movement of the melody, the harmonic counterpoint and the song structure all factored in. So, the challenge was put forth as a contest. Once the Theory professor had looked them all over, an announcement of who won would take place. 



The key of G was chosen. For the first verse, I pulled together a left hand pattern, commonly known as the Alberti Bass and composed a right hand melody over that. The second time through the verse, on the repeat, the melody picks up a harmony line while the left hand moves to a more complex counterpoint relationship built on more stepwise scale patterns. Looking back, I am somewhat embarrassed to admit, the chorus loosely borrowed some thematic material from at least a couple different song selections. Liberties were taken to make the melodic line uniquely mine. I was young. I needed to get the assignment finished. Musicians tend to borrow things. 

The song got completed and transcribed in basic longhand form for the assignment. Succeeding years would see it evolve into a longer form with a fanfare intro and an extended mid-section (bridge) taking form in a key change to e-minor. The outro of the bridge would lead to an eventual return to the original verse/chorus in original key of G followed by the fanfare intro for a conclusion. In live performance, the midsection often sees an extended improvisation. 

May 1988, I married my wife Amy. The song seemed to work as a possible idea for a processional. If any other musical selection was considered, I have no memory of it. The decision was made to use Awakenings for Amy to walk down the aisle to. 

Two thoughts about this: 

First: Standing at the front of the church, the view of Amy in her wedding dress looked amazing - she stood in the doorway to the sanctuary during the fanfare, then proceeded down the aisle once the original opening verse began. Seeing my bride, accompanied by my first-ever original composition at the biggest day of my life was mind-blowing. What an honor to experience this moment. 

Second: This experience was the first (and only) time I have ever heard another person play my music. To say that is a surreal experience is an understatement. Phrasing and interpretation were naturally somewhat different than how I play, which is to be expected. It is a pleasant experience to hear someone play your composition and I highly recommend it. 

The sheet music has since been transcribed on computer and uploaded and can be found here online

An annex (or coda) to this wedding story.. We had two sisters as flower girls in our wedding. One was 6 years old, the younger was 3 at the time. 22 years later, the younger sister got married. I was asked to play piano for that wedding. And the request specified the use of Awakenings as the song to be used for the processional in that wedding. So honored, once again! To be chosen as an inclusion of two people's most special day of their life is overwhelming to even comprehend. And for them to use my composition for the most amazing moment... there are no adequate words..

As for the conclusion to this story, upon review by the professor for the Music Theory challenge, this composition unfortunately did not win that particular recognition. I still remember the face of the girl who was awarded the honor - but do not remember her name or hearing her composition. This selection laid the foundation for me to have enough confidence to eventually pursue additional compositions. They say you always remember your first - in this case, I would agree. 

January 11, 1998 - My first ever recording session in Minnesota Lake, MN. Awakenings was the first song we recorded. More about these sessions will be shared in an upcoming Behind the MusiK post featuring the cd Ascend.

Meanwhile, be sure to check back next week - and each succeeding week -  for another installment of Behind the MusiK.

                                                          Awakenings - Live video 



Wednesday, March 18, 2020

Behind the MusiK...
Post #1 - Genesis of a Series

Behind the MusiK...
Post #1 - Genesis of a Series

Ascend
Before my first recording, Ascend, was released on the JavaMusiK Label in 1998, I used to hope a major label would just somehow discover my music and sign me to a record deal thus making my dreams of being a signed musician come true. Over the course of time, my realization that that dream could easily take several lifetimes to make happen evolved into a course of action to develop my own record label and release the recordings myself.

Bending Chords
At that time, I had roughly ten compositions/arrangements in the can ready to be recorded. These songs emerged from 17 years of experimenting with composition and/or developing my own arrangements of songs I liked. I began to recognize the reality that if they were ever to see the light of day, I was the only person who could make that happen. Thus, the genesis of JavaMusiK.

Don't Ever Forget
So now, 22 years on, I have released 66 songs on 6 cd albums. 31 compositions. 35 arrangements. Each song has a story. Stories about how the song originated, how it was recorded, what inspired it, perhaps what drove the arrangement, etc..




Yuletide Reflections
Some of those stories are quickly becoming forgotten. In an effort to help myself remember and keep the stories alive, I have decided to develop a weekly series that will take a deeper look at what narrative might lurk behind each song. Some of these stories occasionally get told at my concerts. Many don't, but their stories are no less worthy of sharing.

Evensong Meditation
Each cd album also has it's own story. These stories will also be shared across the series.
Grey Havens: in the journey










This first posting is officially announcing the inception of this weekly series slated to begin next week.
Stay tuned!

Jeff Van Devender
JavaMusiK

Thursday, June 13, 2019

Grey Havens - In the Journey: 

Order Today!


Grey Havens - In the Journey, the newest release 
by Jeffrey van D is now available for purchase.
Orders placed by July 1 will receive FREE SHIPPING.

CONSIDER BEING AMONG THE FIRST TO OWN 

THIS GEM! 
Order here! See below for details. Use our email for
Paypal payment BY CLICKING HERE or arrange to
 send a check by emailing us at javamusik@gmail.com.

We have the following CDs available for purchase:

*Grey Havens - In the Journey
*Ascend: Limited availability - full price only: $15
*Bending Chords
*Don't Ever Forget
*Yuletide Reflections
*Evensong Meditation: hymns and Americana


First CD costs $15.
Add any subsequent CDs for $7.50 

(Ascend excluded from special pricing.).
Add $3 for shipping (10 cd's? Only $3 shipping!).

**FREE SHIPPING thru July 1

Please indicate how many of each CD you'd like to order 
with your email, phone # and shipping address. 
We will ship the day Grey Havens arrives 
(or when your order arrives after Glen Havens release).

We accept orders through PayPal or check

If you arrange payment by check, 
email us your order details at javamusik@gmail.com.
Please indicate PayPal order details on your 

PayPal note to vendor.

Arrange your PayPal order here.


We cannot thank you enough for your support. 
Please accept this sincere expression of our gratitude - 
THANK-YOU!

Scott Jeffries - JavaMusiK Management
JavaMusiK.com - a coffeehouse 4 your spirit..

Grey Havens Track Listing:
1. Grey Havens
2. As It Was Written
3. Within the Labyrinth
4. My Elusive Muse
5. Are You Twinkling Through the Night?
6. Beethoven's Fate - Symph #5, Mvt 2
7. Misty
8. Symphonyze!
9. And So It Goes
10. Jubi Latte
11. Evening Prayer
12. Spirit of the Heartland
13. Goodbye Yellow Brick Road

Tuesday, November 27, 2018

Upcoming Gigs featuring Jeff Van Devender on piano

Ugly Christmas Sweater Mocktail Party
December 15; 4:00-5:30 pm
Hyde Chapel at YMCA of the Rockies - Estes Park, CO
An intimate occasion where Holiday mocktails and finger foods will be served with live Christmas piano music provided by Jeff Van Devender.  We will also be giving away door prizes. Local restaurants will provide discount vouchers for dinner after the party. 

New Castle Town Employees Christmas Dinner 
December 18; 6:30-9:00 pm
Community Center - New Castle, CO
A Holiday dinner event celebrating the season with Christmas piano music provided by Jeff Van Devender.

Monday, June 04, 2018

Evensong Meditation: Order Today!



Evensong Meditation: an offering of hymns and Americana folktunes, the newest release by Jeff Van Devender is due for arrival this week.

We are taking preorders here. See below for details.

We have the following CDs available for purchase:
*Ascend (limited availability)
*Bending Chords
*Don't Ever Forget
*Yuletide Reflections
*Evensong Meditation: an offering of hymns and Americana folktunes


First CD costs $15.
Add any subsequent CDs for $10.
Add $2 for shipping.

Please indicate how many of each CD you'd like to order with your shipping address. We will ship the day Evensong Meditation arrives (or when your order arrives should Evensong Meditation already be delivered).

We accept orders through PayPal or check. If you arrange payment by check, email us at javamusik@gmail.com.

Arrange your PayPal order here.

Sunday, May 06, 2018

Alpine Road Music Academy holds annual Recital May 5, 2018



Ten piano students and one guitar student performed for an audience of 75 attendees at First United Methodist Church in Glenwood Springs, CO Saturday afternoon, May 5. Alpine Road Music Academy presently has 16 students, including 14 on piano and 2 guitar students.

Summer lesson signup is currently taking place. Those interested in signing up can do so here. Lesson inquiries will be responded to as they come in. We teach piano, guitar, ukulele and brass. Current locations are offered in New Castle and Glenwood Springs, Colorado.

Thursday, October 26, 2017